7th September 2007 4:30pm
Jonathan Powell
Piano recital.
Schillinger and his contemporaries.
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- Schillinger
- Five Pieces, op.12
- Poème héroique
- Danse
- Pogoudka
- Danse excentrique
- Grotesque
-
- Sergey Protopopov
- Sonata no.3, op.5 (1924_28)
-
- Issay Dobrowen
- Poème, op.3 no.2
- Lev Revutsky
- Prelude, op.4 no.1 (1914)
- Nikolay Roslavets
- Prelude (1915)
-
- Schillinger
- Marche funèbre (1928)
- Studies in Rhythm I and II (1935, 1940)
- Dimitry Melkikh
- Sonata no.3, op.12 (1924)
-
- Schilllinger
- Eccentriade, op.14 (three pieces for piano)
This programme presents the music of Schillinger alongside that of Ukrainian
contemporaries and composers influenced by another significant Ukrainian music
theorist, Boleslav Yavorsky. We trace Schillinger’s journey from the 1920s in the
Ukraine (with works such as Eccentriade) to the 1930s and beyond in the US
(with the constructivist Studies in Rhythm). Dobrowen, Revutsky and Roslavets
were all near contemporaries of Schillinger, and like him, Dobrowen and
Roslavets were to both leave the Ukraine. The most prominent Ukrainian music
theorist of the generation before Schillinger was Boleslav Yavorsky who
developed a complex theory of modal rhythm. He was highly influential as a
teacher of composition in Kiev and Moscow, and his students (such as Sergey
Protopopov, Dimitry Melkikh, and also Alexander Krein, a leader of the so-called
New Jewish School active in Russia in the 1910s and 20s) produced a number of
striking works, particularly their series of piano sonatas, a genre popular in
Russia during the 1920s.
Jonathan Powell studied the piano with Denis Matthews and Sulamita
Aronovsky, and is now fulfilling a busy schedule of international concert
appearances, primarily specialising in late-Romantic composers and
contemporary works. He has performed widely in Europe, as well as in Russia
and the US; he has also appeared on national radio of many countries (in 2005
he gave two solo recitals on Radio France Musiques), in addition to numerous
appearances on the BBC. Powell is a self-taught composer – he has recorded
several of his own works for BBC broadcasts and has received performances by
the London Sinfonietta, the Arditti Quartet, Valdine Anderson, Sarah Leonard,
Darragh Morgan and Nicolas Hodges among others. His articles on many
aspects of Russian music appear in the New Grove Dictionary of Music; his
articles have been published by International Piano and the Finnish
musicological journal Musiikki-lehti.
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The Schillinger School of Music is grateful for the support of Rosalie Coopman.